By Pat Boran

The Level Crossing (No. 1)

THE LEVEL CROSSING is the new occasional journal of poetry and poetry-related prose from Dedalus Press.

This first issue includes new work by poets from Ireland, the UK, the US, Australia, Canada, Poland and Korea, among others.

Description

The Level Crossing 1 - contentsTHE LEVEL CROSSING is the new occasional journal of poetry and poetry-related prose from Dedalus Press. This first issue includes new work by poets from Ireland, the UK, the US, Australia, Canada, Poland and Korea, among others, poets already associated with the press as well as more than a dozen writers with no previous connection.

The issue features a report by Keith Payne on the new Galician poetry, Gerard Smyth on B.H. Fairchild, Vincent Woods’ writing on Macdara Woods’ new book, Music From The Big Tent, and Pat Boran on the attractions of haiku and landscape. There are new poems by Catherine Ann Cullen, Doireann Ní Ghríofa, Jane Williams, Tom Matthews, Hanyong Jeong and James Silas Rogers. Gerry Murphy writes about being a poet / lifeguard, and Grace Wells considers the poem ‘Selkie Moment’ from her recent collection, Fur. There’s a sample of contributions – by Karl Parkinson, Jennifer Matthews, Paul Perry and Jessica Traynor – from the forthcoming anthology The Deep Heart’s Core: Irish Poets Revisit Their ‘Touchstone’ Poems. And we’re delighted to present our feature on ‘Poems of Place’, the poems being drawn from  over 900 submissions received in a recent open call for submissions.

In putting together THE LEVEL CROSSING, we set ourselves the target of producing a magazine that, in content, feel and attitude was positive, outward-looking and, as we only joke in the Introduction, didn’t look like it was produced in the 19th century. For a first issue, we’re happy with the results but can see lots of ways we could further improve. With a bit of luck, we’ll get that chance: the barriers come down, but the barriers also go up!

 

 

Additional information

Dimensions 297 × 210 mm

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Product Detail

  • ISBN: : 9781910251201
  • Size: : A4, 297 x 210 mm
  • Pages: : 48
  • Published: : June 2016

About The Author

Author

PAT BORAN was born in Portlaoise, in the Irish midlands, and has long since lived in Dublin. He has held a number of posts as Writer-in-Residence with libraries and third-level institutions and has published more than a dozen books of poetry and prose, the most recent of which are Waveforms: Bull Island Haiku (2016) with photographs by the author, and A Man Is Only As Good (2017), a pocket-sized new and selected poems. Editions of his poetry have appeared in Italian, Hungarian and Macedonian, with a selection just published in Portuguese. His non-fiction includes the popular writers' handbook The Portable Creative Writing Workshop and A Short History of Dublin. His memoir The Invisible Prison: Scenes from an Irish Childhood, was published to considerable acclaim in 2009. A former editor of Poetry Ireland Review and former presenter of The Poetry Programme and The Enchanted Way on RTÉ Radio 1, he has edited numerous anthologies, among them Wingspan: A Dedalus Sampler (2006), Flowing, Still: Irish Poets on Irish Poetry (2009), The Bee-Loud Glade (2009), Shine On: Irish writers supporting those affected by mental ill health (2011), the 2014 Dublin One City, One Book choice If Ever You Go: A Map of Dublin in Poetry and Song (co-editor Gerard Smyth) and, with co-editor Eugene O'Connell, The Deep Heart's Core: Irish Poets Revisit a Touchstone Poem (2017). His achievements include The Patrick Kavanagh Award in 1989 and the US-based Lawrence O'Shaughnessy Poetry Award in 2008. He is a member of Aosdána, the Irish affiliation of creative artists. (see also www.patboran.com)